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Two friends with strong opinions watch films separately then discuss them on the show for the first time. Can their friendship survive? Join Mike and Dan as they discuss one film each episode--and in only fifteen minutes, give or take a few. There are no long pauses, pontifications, or politics--just two guys who want to share their enthusiasm for great movies. On Twitter. On Letterboxd. Email: fifteenminutefilm@gmail.com.
In a recent interview, Paul Schrader said he was lucky with Taxi Driver because he “caught the zeitgeist.” He may have done so again with First Refor…
Hobson’s Choice (1954) is the perfect example of a very specific genre: the capitalist romance. Filled with a Dickensian love of humanity and featuri…
Is there anything so refreshing for a film fanatic as a film about grownups? The mid-budget We Own the Night (2007) is a tonic in a world of films co…
“I envy normal women—they’re free,” laments Irina Dubrovna Reed, in Jacques Tourner’s 1942 film, one as noir as Out of the Past which he would direct …
In 1965, Bob Dylan teased the squares by stating, “Something is happening but you don’t know what it is.” The same could be said for childhood and Pa…
Everyone loves gut-busting belly-laughs in a film. But sometimes, big laughs slow things down. There’s something to be said for films that amuse us …
Saboteur, released in 1942, feels like it was conceived, written, filmed, and edited in the three days between Pearl Harbor and Germany’s declaring wa…
If we could undergo a procedure that would erase the painful memories from our lives, would we do it? That seems to be the question of Eternal Sunshi…
We are supposed to get smarter as we get older. Do we? If the meaning of your life had to be found in nine representative days, which days would you …
Magic is misdirection, and Richard Attenborough and William Goldman do a terrific job of misdirecting the audience in this 1978 thriller. Like The Ki…
Baby Face is the 1933 film that created the archetypal Barbara Stanwyck character and famously laid everything bare before the production code tried t…
It’s easy for some people to laugh at Conan the Barbarian, John Milius’s 1982 film about Robert E. Howard’s most famous creation: it seems like the ci…
A genuine crowd-pleaser that couldn’t please enough crowds in 1988, Tucker: The Man and His Dream has finally found an audience. Tim defends 80s Copp…
We all know the rules of the Looney Tunes universe: rabbits can outrun bullets, shots to the face don’t kill, and the laws of gravity don’t always app…
Being lighthearted and amusing can be a painful business. That’s one of the themes of Limelight, Charlie Chaplin’s 1952 portrait of the artist as an …
We all know the rules of courtroom dramas. We welcome the confusion we feel during the case and the sense of release upon hearing the jury’s decision…
Werner Herzog is a filmmaker with an intuitive sense for showing the right thing at the right time, whether he is offering the story of a maniacal con…
In a past episode in which they discussed the films of Tom Cruise, Mike told Dan, “You’re the smartest person I know who ever made it all the way thro…
Can a film do everything wrong yet still find its defenders, who not only acknowledge each of the film’s faults but find these faults endearing? Such…
Have you seen that other Capra film in which the protagonist in a moment of crisis, attempts suicide on Christmas Eve? Join Mike and Dan for a conver…